I was supposed to post this yesterday, but I think the whole school not
going back till today thing threw me off a bit. Besides, it’s still Monday in
the USA (just), so technically I’m not late. That’s my excuse and I’m
a-sticking with it!
The lovely Sandie Will (what an awesome first name)asked
if I wanted to participate in a blog tour on the writing process and I’ve never
done a blog tour, so why not? Hopefully I can answer the questions without
looking like a fool. Before I get started though, I’d like to thank Sandie for
welcoming me to this opportunity and suggest you all take a look at her blog on
How Do I Write?
So here we go...
What am I working on at the moment?
What am I working on at the moment?
I’m currently working on a piece of Contemporary Women’s Fiction with a
working title of THIS SHADOW LIFE. (I stress this is a working title, though it
is growing on me.) It is the story of Alice, a woman who fled her small town as
a teenager and finds herself running a café in an equally small but vastly different
town. When she opens her café one morning and finds a homeless girl in her
pantry, Alice is forced to face her past and the secrets she left behind.
How does my work differ from others of its genre? This is a tough one. My work in general focusses on small Australian towns, but what I love exploring is how the past and present are so closely entwined, even if there’s no obvious connection. My first novel, THE POINT had two parallel stories woven through it and Shadow Life is doing the same, even more so. With Shadow Life, however, I’m playing with the structure of the novel, intending the ‘historical’ narrative to be told not in chronological order.
How does my work differ from others of its genre? This is a tough one. My work in general focusses on small Australian towns, but what I love exploring is how the past and present are so closely entwined, even if there’s no obvious connection. My first novel, THE POINT had two parallel stories woven through it and Shadow Life is doing the same, even more so. With Shadow Life, however, I’m playing with the structure of the novel, intending the ‘historical’ narrative to be told not in chronological order.
I think the other difference is that while my stories are Australian,
they are not ‘ocker’ Aussie stories, if you get what I mean.
Why do I write what I do? Like most writers, I write because I have to. There is simply nothing else I can see myself doing. The type of stories I write are what I’d like to read; the interplay of past and present that fascinates me; small town settings I love (I grew up in what was then a small town); female protagonists who are past the ‘bridget jones’ stage of their life (I never could relate to characters like that – shh, I’m sure that’s sacrilege); and while there are romantic elements to my work, the pivotal relationships are not ‘girl meets boy’ and I write that because these other relationships are so darn rich.
How does my writing process work? I tend to start with a seed of an idea – a picture of a character or scene in my head, a sentence, a title, and just start writing, sometimes with very little idea of where the story is going, sometimes knowing where it ends, but not how it starts. With THIS SHADOW LIFE, for example, I had the end in my head, just a scene, and I’ve gone from there.
Why do I write what I do? Like most writers, I write because I have to. There is simply nothing else I can see myself doing. The type of stories I write are what I’d like to read; the interplay of past and present that fascinates me; small town settings I love (I grew up in what was then a small town); female protagonists who are past the ‘bridget jones’ stage of their life (I never could relate to characters like that – shh, I’m sure that’s sacrilege); and while there are romantic elements to my work, the pivotal relationships are not ‘girl meets boy’ and I write that because these other relationships are so darn rich.
How does my writing process work? I tend to start with a seed of an idea – a picture of a character or scene in my head, a sentence, a title, and just start writing, sometimes with very little idea of where the story is going, sometimes knowing where it ends, but not how it starts. With THIS SHADOW LIFE, for example, I had the end in my head, just a scene, and I’ve gone from there.
Once I’m abut 20k words in, when I’ve got a better understanding of my
characters and their story, then I plan. I ask myself perhaps the two most
important questions of all Why and How? until the story comes together. Then I
write more.
I used to get hung up when I wasn’t sure where the story was taking me,
or couldn’t resolve a plot or character issue. Now I write through it and go
back later to sort it out and funnily enough, the solution has usually
presented itself by then.
One interesting thing about how I write is, perhaps, that I write the
old fashioned way; with pen and paper, before going to my computer. Something
about that movement across the page just gets me going. Hey, there are worse
things to get excited about.
Up next week:
I did have three writers lined up to blog next, but due to circumstances
beyond anyone’s control, not everyone can play along next week. So, if you’d
like to focus all your love and attention on the wonderful Bianca Nogrady on Monday 6th May, I’m sure you won’t be disappointed.
I met Bianca at a writing course and her novel BIOHUNTER sounds like a cracking
good read to me. She was a finalist with it in the recent Twitter Nestpitch
competition, and I hope she gets picked up soon so I can find BIOHUNTER in my
local bookstore.Up next week:
BiancaNogrady is a freelance science journalist by day, non-fiction author by night,
and aspiring fiction author in the twilight. When not writing about everything
and anything in science and medicine, she reads and writes speculative fiction
in all flavours and colours. She is querying her first novel BIOHUNTER -
an adult science fiction - and starting work on a second novel, an urban
fantasy based on Greek mythology. Bianca writes, blogs and rants at www.biancanogrady.com
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